Accessibility

ACCESSIBILITY STATEMENT
Rosy Simas Danse (RSD) believes that we cannot move forward unless we all move forward together. This belief aligns with an ongoing commitment to meaningfully engaging with and within the D/deaf, blind, low-vision, disabled and neurodiverse communities, intersectionally centering Native and BIPOC individuals. Engaging with these communities means embracing expansive accessibility.
Attention to access benefits all people—thus, RSD is driven to make accessibility a central practice, permeating all that RSD does, and to be accountable to the communities for whom access is essential to their participation. Ultimately, in deepening this practice, RSD can serve as a progressive cultural model rooted in communal belonging, nuanced inclusion, equity, and justice for collaborators, artists-in-residence, partner organizations, presenters and the larger arts ecology.
Reflections on How Accessibility is Manifesting within RSD
In actioning its commitment to meaningfully engaging with and within the D/deaf, disabled, Blind, low vision and neurodiverse communities, intersectionally centering Native and BIPOC individuals, RSD has been in an organizational process of attending to the complexities and nuances of accessibility it seeks to manifest through:
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Establishing the Rosy Simas Danse Accessibility Advisory Committee.
The Rosy Simas Danse Access Advisory Committee (RAAC) is composed of individuals from within the local Native and BIPOC disability, neurodiverse and D/deaf communities. This advisory’s focus is on the organizational structuring, capacity, resources and community building in direct relation to accessibility. Through this advisory, RSD will seek to gain insights into how the organization’s resources can be best utilized in support of accessibility specific to the needs of community members who want to participate in, witness and engage with RSD’s public activities and residencies.
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Supporting the establishing of a Native and BIPOC Accessibility Consultancy Cohort (BACC)
BACC’s cohort of consultants are composed of individuals from the local and national Native and BIPOC disability, neurodiverse and D/deaf communities. This cohort is initially honing in on four key areas of accessibility: 1) Audio and image description creation; 2) ASL integration; 3) Physical and structural spaces assessments; and 4) sensory-friendly environments cultivation. Progressively, BACC will chart a developing bespoke model for RSD and extended community that will ultimately cultivate a local/national sustainable practice of accessibility that is essential to cultural engagement.
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Developing a Project Access + Accountability Rider for Engaging with Presenters
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Investing in Practice of Access Trainings + Workshops for the Organization Staff, Artists & Partners
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Divesting from Engaging with Inaccessible Spaces
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Attending to Inaccessibility Issues within Current Space
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Revamping the Website to be more Accessible
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Investing in Creating and Integrating ASL Vlogs + Audio Described Videos
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Offering Access Support & Access Funding to RSD Artists-In-Residence
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Internal Organizational Work to Address Ableism & Accessibility in Support of Board, Staff, Performing Company, Consultants and Project Contractors
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Ongoing Audits of RSD’s Physical and Virtual Spaces
Acknowledgements
This accessibility statement was developed in collaboration with Accessibility Consultant Barak adé Soleil who has been engaged in a multiyear process with the organization surrounding accessibility and an ongoing conversation with RSD Artistic Director Rosy Simas. As a “working” statement, it will evolve as RSD continues its progressing and integration of access within the organization and in modeling for the larger arts & culture ecology.
As of January 2026, this statement is deeply informed by:
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2024 Accessibility Audit Cohort: Whitney Hill, Cookie Brand and Donna Ray.
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2025 RSD Accessibility Advisory: Frank Buffalo Hyde, Donna Ray, Gayatri Nayaranan and Cindi Martin.
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2025–26 Native and BIPOC Accessibility Consultancy Cohort: Vanessa Cruz, Whitney Hill, Cindi Martin, Cookie Brand and Symone Wilson.
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Carolyn Lazard’s noted A Promise & A Practice
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Leah Lakshmi-Piepzna Samarasinha’s writings
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Mia Mingus’ writings and theories

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